Sunday, January 15, 2012

Artist Spotlight - Britten Roetzel

The artist: Known simply by her first name, Britten grew up in San Francisco where she learned to appreciate art at a young age. She’s lived in the Vail Valley for 14 years and works at C. Anthony Gallery where some of her work is nearly always hanging. Britten has painted many murals in the valley, including one she just finished at the Yoga studio at Dogma Athletica in Edwards. She’s also painted “everything from bathtubs to ski clothes,” she said.

Britten Roetzel 1

Britten calls painting her “gift” — both to give and to receive — and strives to translate her emotions into a visual language.

Britten Roetzel 2

The evolution: “I have painted as long as I can remember. I have always felt more comfortable expressing myself with a paint brush in hand. My mother eventually gave up and let me paint on the wall of my room, even my clothes. Now people pay me to do that! 

Britten Roetzel 3

“My art was very representational/realistic/more traditional until about two years ago when I decided to simplify and try to find my true expression. It has been a process ... unfolding on my canvas. At this point, I am truly at my most ‘real,’ even though my paintings represent what some would call an ‘alternative reality.’”

Britten Roetzel 4

The medium: Mixed. A base of acrylic paint followed by oil paint and resin, with gold, silver and copper leaf layered on canvas on a three-inch box frame. 

Britten Roetzel 5

The process: “My inspiration comes from being present in the moment. Whatever that moment is. I try to stay with it wherever it takes me. My medium has evolved with me. I like the layers (and) depth of different mediums, so I am constantly trying new things. My style is ‘evolution’ — maybe that sounds bold, but I mean it in a sense that it is fluid, up for interpretation and changing.” via Vail Daily

See more of her works here.

Friday, January 6, 2012

Monday, January 2, 2012

Artist Spotlight - Simon Birch

“[Simon] Birch is interested in universal ideas of transition, the ambiguous moment between an initiation and a conclusion, the unobtainable now and the future, inevitably crashing towards us. For Birch these ideas translate easily from oil paint, to film, to installations, which engage with myth, history, circus and science fiction, connection and disconnect. He chooses to explore these themes in an enveloping environment of theater and spectacle, where the process of viewing becomes experiential: overwhelming and complex, yet as spectacle and adventure, also approachable.” (via Daily Art Fixx)

08-untitled5-2008-oil-on-canvas

bellweather-2010-20x20cm-oil-on-canvas

cordite-2011-oil-on-canvas

untitled7-2007-225x175cm-oil-on-canvas

Laughing-With-a-Mouth-Full-of-Blood-2-Simon-Birch

Sunday, December 11, 2011

Artist Spotlight - Christian McLeod

Christian McLeod

"Painting is my way of remembering and interpreting beauty and destruction. I begin by viewing reality as composed of layers of colour and shape, observing the way light reflects off an object, and the tension objects generate when placed next to or on top of each other. Landscapes from a great distance become a single object. 

cmc_double_you_LORES

I try to capture the shift between perceiving the landscape as an organic whole, and seeing the particles that comprise it – buildings, rivers, vehicles, birds, harbours, roadways, minerals, machinery, aircraft, farms, data cables, people in movement.
Heaps of paint are placed, plotted and pushed. For some works this process can take years. For others, the image forms within days. 

cmc_park_pleasures_I

I love the tactile movement of paint across the canvas, but fully half my time in the studio is spent looking, searching the surface of the painting for points of entry. Paintings are worked and reworked, images accumulate. I tend to work on several pieces simultaneously, exploring different themes in each one.

cmc_tamarack

This exhibition, ‘Passing Over,’ contains works created within the last several years. The title refers to my interest in the shift between macro and micro views – 

cmc_these_three_stones_2

a century and a half ago, photography liberated painting from the task of representation; today, satellite imagery redefines how we perceive our landscape and environment, and thus blurs the line between abstraction and representation. 

cmc_syntax

I operate in that gap between abstraction and representation, between the bird’s-eye view and the microscope." 
- Christian McLeod, March 31, 2010

View his website here

Saturday, December 10, 2011

Sunday, November 20, 2011

Friday, November 18, 2011

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